TET FESTIVAL

An EVENT WEBSITE FOR THE LARGEST LUNAR NEW YEAR FESTIVAL IN THE NATION

Client

Union of Vietnamese Student Associations Southern California (UVSA SoCal)

Duration

6 months out of the year from 2013-2018

Role

Marketing Director, UX Researcher, Webmaster

Team

(12) Marketing Team Members, (11) Festival Teams, (1) Festival Directors, (2) Advisors

 

BACKGROUND

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For over 30 years, UVSA SoCal has hosted a Lunar New Year festival, known as the “Tet Festival.” The event has attracted over 100,000 attendees from across the nation and donated over $1.5 million back to the community.

For this event, I served as the festival marketing director as well as oversaw the event website.

In addition to working on the website, my team and I also worked on developing the branding identity, conducting market research, and campaigns for traditional press (interviews, TV, radio, newspapers, billboards, storefronts) and digital (social media, email marketing, online ads).

CHALLENGE

For this case study, I will be focusing on the development of the event website over the course of my time on the marketing team.

Our website for Tet Festival had to accomplish the following:

  1. Provide information in English and Vietnamese languages for prospective vendors and sponsors to complete the application process, 5 months prior to the event

  2. Provide information for contestants and performers to apply for various festival programs, such as the pageant, children’s contests, talent competitions, community performances, concerts, etc

  3. Provide visitor information 1 month prior to the event, such as ticket sales, program schedule, vendors list and map, parking and directions, special promotions, etc

MOVING FROM PAPER TO DIGITAL

When I joined on as marketing director in 2013, the festival’s application processes were being processed through hard-copy submissions via mail or in-person drop off, and tickets were only sold at the ticketing booths during the 3-day event. It took several years for our team to fully transition all applications and ticket sales online, in order to research and test out different platforms to find the ones that best suited our organization’s needs.

Our intention was to improve documentation trails, process and approve applications faster, reduce our environmental footprint, and essentially get with the times.

Generative Research

I initially worked with advisors by interviewing them to learn past festival marketing practices, as well as the behaviors and feedback from past festival attendees. This information helped form the foundation of my user personas, journeys, and stories, which continued to evolve the following years when we started to collect data in the form of website analytics and surveys after the event.

A marketing survey from 2016

A marketing survey from 2016

Knowing our audience

Through in-person interviews with past marketing directors, festival directors, and advisors, I was able to identify our primary website users:

  • Prospective vendors (English-speaking and Vietnamese-speaking) who needed to go on the website to learn about the different types of booths we offered, booth costs, requirements, and how to submit an application

  • Sponsors who wanted to see past sponsors and download our sponsorship benefits packet

  • Contestants and performers who wanted to learn about the different competitions and entertainment programs they could enter (e.g. pageant, eating/singing/drawing/etc contests, concerts and performances)

  • Attendees who needed to know how to buy tickets, how to get to the festival, attractions, what promotions were being offered, along with program schedule, and a list of vendors and maps

Competitive Research

To learn how to best structure the festival’s massive amount of content, which catered to many different sets of users, I researched the websites of other competitors in the events industry.

 
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Well-known, large-scale events

I looked up as many large-scale events as possible to study:

  • How they structured their navigation menu

  • Layouts for call-to-actions, interaction patterns

  • How they organized their information hierarchy on the homepage and sub-pages

My strategy started with looking at websites for well-known events across the nation, such as the Electric Daisy Carnival, Lollapalooza, the National Cherry Blossom Festival, Food Network’s Food & Wine Festival, KCON, etc. My thought process was that these sites would have garnered the greatest amount of traffic and I wanted to know what website structures, or user experiences, people were most exposed to and thus familiar with at that time. It was also during this time period when I noticed a lot of websites were starting to use the one-pager type of structure, instead of the traditional multi-column layouts I was used to in the 2000s.

Cultural and community festivals

After getting a sense of the structure and aesthetic among well-known event websites, I looked for websites similar to the Tet Festival’s event model, such as cultural (e.g. New Year festivals of other cultures) and community festivals (e.g. food festivals, the Orange County Fair, etc). My intention with this was to see how websites handled large amounts of information for bilingual audiences, as well as how they organized information if they had a lot of different programs and attractions to promote to users.

In all of the competitive research I conducted, I had also compared website designs and user interfaces.

Information ARCHITECTURE

One of the hardest things about building the festival website was figuring out how to present information to 2 different sets of users over 2 phases of festival planning.

My notes in 2014 to help familiarize team directors with the website and for myself to figure out the website’s information architecture

My notes in 2014 to help familiarize team directors with the website and for myself to figure out the website’s information architecture

In Phase 1 (September to December), the website would typically contain content catered towards users who participated in the festival for up to 1 month before the event.

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In Phase 2 (January to February), the website would get updated to reflect information catered towards users who were the general public/festival attendees.

USER INTERFACE DESIGN

In 2013, I worked with an advisor to build the site on Wordpress. At the time, I was not an expert in user interface design thus in the following years, we worked with a creative agency that helped design the look and feel of the website based on our user research and requirements. In 2017, we moved the website design back in-house and I collaborated with an administrative coordinator to re-design the website on Wordpress.

The festival website through the years

2011

2013

2015

2017-present

USER TESTING

Tet Festival planning is a fast-moving, chaotic operation. With roughly 4 months dedicated to recruiting vendors, sponsors, performers, and 1-2 months after the holidays to sell tickets and promote the event, the marketing team was nearly always testing on live users and iterating as we went.

Sometimes, we would not receive the program schedule or finalized map and vendors list until a few days leading up to the festival, due to changes on the logistics end. This left us little time to test use cases on pages that accrued the highest amount of visitor traffic (e.g. visitor information, program schedule, map, vendors), and if there were changes we couldn’t fix in time, it would be a lesson learned for the following year’s festival.

Our most critical areas for improvement

As a team, some of our greatest challenges were:

1. Visibility of system status

Being able to communicate to our audience when our website was reflecting outdated information or lacking new information.

Issue

Not all teams were ready by Phase 2. For example, the Entertainment team may have not yet finalized the performance schedule or performers line-up, or the Vendors and Operations teams haven’t finalized the vendors and map layout of the festival.

Without sufficient or updated information for our visitors, oftentimes the website suffered in being able to provide the most up-to-date information to visitors on time.

This unfortunately led to the website typically being updated last, meanwhile the most up-to-date information would be on social media first (it was faster for our team to post small updates and graphics to social media than to build it out on the website, test user flows, etc).

This was a high point of frustration, because the website was supposed to be our official, most reliable source of information… a matter that would cause more confusion for our audiences who did not use or follow our social media, or tuned into the radio & TV stations we were on, or read newspapers and articles we were featured in, etc.

Recommendations

  • Populate the lacking areas with general information learned from previous years or, if possible, indicate to users when the pages will be updated

  • Plan and prepare pages waiting for critical information (e.g. schedule) earlier so that the team does not have to spend crucial time at the end building out pages

  • Re-direct users to our social media channels where our posts tended to reflect updates instantly

  • Send emails to subscribers to notify when the website has been updated with pertinent information

  • Communicate with our users through customer support (hotline and emails), and get controlled information out faster when on-air with radio, TV, and press

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Our change in navigation menu items over the years

Our change in navigation menu items over the years

2. Consistency and standards

Not being able to organize and distinguish between information catered to festival participants vs. visitors, which often fell under the same labels (e.g. Contests, Vendors).

Issue

If teams fell behind on schedule, and the marketing team could not update the website in time, there would be a mix of Phase 1 and Phase 2 information on the website at the same time. Hiding pages was not an option because the information was still relevant for existing Phase 1 users.

In Phase 1, if a user visited the website and clicked on “Contests” or “Vendors,” the user would only see information about contest rules, booth prices, how to apply, etc. By January, users are now visitors and will expect to learn more about attractions, etc, but instead see either only Phase 1 information or an uninformative parent page full of general information (while the Phase 1 information gets moved to a sub-page).

Recommendations

  • Enforce earlier deadlines for other teams

  • If teams inevitably cannot meet deadlines, the marketing team should prepare general information pages earlier, and based them on previous years to populate for Phase 2

  • If critical information such as program schedule and vendors are falling extremely behind schedule, be honest with users and announce that the information will be available (e.g. by the morning of the event, etc) even though we did not meet our goal of preparing our visitors with information well-beforehand

3. How to present the most pertinent information to both English and Vietnamese readers without compromising on design

In the first few years, we experimented with:

  • 2013: Providing both languages on the same page, but visually, it negatively impacted readability due to the sheer size of information

  • 2014: Integrating a plugin that automatically translated a webpage from English to Vietnamese, but during live testing, our users reported that the translations were oftentimes incorrectly worded… this affected our credibility

  • 2015: Creating two websites (one in English, one in Vietnamese), but we did not have enough manpower to design, translate content with quality assurance, and consistently update both sites

After 2015, efforts to provide bilingual services on our website ceased as the marketing team could not fully meet the necessary measures required.

Recommendations

As a compromise, we provided the most important pieces of information to our festival logistics in multiple languages, such as vendor applications that were available for download, or we focused on traditional marketing methods such as newspapers, radio, and TV to reach our Vietnamese-language audiences.

The team’s future goals would be to recruit more team members that could translate, design, and implement customer experiences that catered to bilingual audiences.

ANALYTICS

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The 3 days of the festival every year were always an enormous learning experience for us as the marketing team. For those 3 days, we would turn into marketing, IT, and customer support—answering calls on the hotline, updating the website and social media channels with event updates (e.g. contest winners, pageant photos, road closures, ticket giveaways, you name it), and troubleshooting (e.g. website crashes from online traffic).

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By 2015, after we had fully transitioned from paper to digital, our marketing team was committed to using metrics and analytics as data to support and guide our future strategies and efforts. In addition to Google Analytics, I also collected website statistics from other engines to compare results.

Our marketing team devoted a lot of efforts to identify our users’ needs, procure mediums of information that best served them, and how to relieve their pain points every year.

In general, areas I recommend we improve are:

  • Dedicating more time to UI design and performing usability tests for the interface, and using this data to solidify the structure of pages that are most crucial but get added in last

  • Make it a priority to give ample time to test user flows and red routes on real users before the product goes live

BUSY BEANS